Lars Westin: Jazz in Sweden - an overview | |||
"Free" and "Happy" (3 of 3) |
Sweden had its share of the Dixieland and New Orleans revival movements in
the late 1940s, and has had a vast number of traditional groups ever
since. In the early years most of these orchestras were made up of college
students. In recent years, however, there have also been quite a few
professional groups working in this area, and several have even gained
international fame. Kustbandet (photo: Bo Flodin), founded in the early 1960s, re-creates the
music of the early big band era (Henderson, Ellington etc) and has toured
world-wide. One of its members, trumpeter Bent Persson (b. 1947), is
widely acclaimed and takes part in events throughout the world, often in
an all star line-up modestly called The Swedish Jazz Kings. With the opening of the jazz pub Stampen (The Pawnshop) in the Old Town of Stockholm in the late 1968, Sweden also experienced a renaissance of swing music. A sign over the stage saying "Happy jazz, please" gave the music a new label.
Clarinettist Ove Lind (1926-91) was in the forefront of
this movement, performing music in the style of Benny Goodman’s small
groups. One of his co-musicians, vibraphonist Lars Erstrand (b. 1936), has
later fronted his own unit and has appeared as guest soloist with bands
all over Europe.
Sandviken Big Band: Ankbrand (1992)from Big Band Wulf [PHONT NCD 8820]
From 1971 and onwards the twenty-five or
so military bands in Sweden were transformed into regional music
institutions with a wide range of commitments.
Norrbotten Big Band (based
in Lulea) and
Bohuslän Big Band (based in
Gothenburg) are two examples of such bands which have developed into
large jazz orchestras, working more or less on a full-time basis
together with different composers and guest soloists. Stockholm has
several big bands with some of the foremost jazz soloists in their
ranks. |
"Free" and "Happy" (3 of 3) |
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Lars Westin: Jazz in Sweden - an overview |